POWER, EMPOWERMENT AND DISEMPOWERMENT
2nd Annual International Symposium on Festival Culture (ISFC)
Virtual Symposium - Registration Free (5th and 6th June 2021)
Thank you for attending our annual event. Only registered attendees will be able to view videos of this year's symposium. You can view some short clips here.
CONFIRMED GUEST SPEAKERS
Pax Nindi FRSA
Dr Deborah Hickling Gordon
Dr Rebecca Finkel
Dr Kim Johnson
Dr Jarula M.I. Wegner
Co-founder of the Interdisciplinary Memory Studies Group (IMSG) At the Frankfurt Memory Studies Platform (FMSG) Department of English and American Studies
Dr Lisa Gabbert
CALL FOR PAPERS
ISFC is a two-day inter-, multi-, trans-, and cross-disciplinary symposium that will explore the theme ‘power, empowerment and disempowerment’ in festival culture. In tune with last year’s symposium we continue to focus on (but are not limited to) the creative practices, social benefits, grassroots organising, economic development, tourism, hospitality and events, multiculturalism, diversity, local community involvement, partnerships, religion, and music entrepreneurial networks offered by many festivals. We continue to take note of the many festivals around the world, which are all manifested in varying ways, possessing their own social, religious and cultural practices. Be they past or present, folk, religious, literary, food, drink, alternative or community-based in nature, festivals illuminate discourses of hegemony, homogeneity, race, politics, nationalism, identity and religion etc. We consider that the study of festivals is an emerging discipline, hence it is important to examine festivals from varying perspectives to understand, broaden and articulate the scope of festival studies.
This year’s theme of power questions what is powerful about festival culture and how people are empowered and/or disempowered in and through it. Does festival culture complement our inalienable right to be free, and, if not, why? Does governmental control affect, interrupt, impact, empower or disempower festival culture (makers, spectators, participants etc.)? Are we actively engaged in the organic development of festival culture or are we passively taking in or accepting what is presented to us?
As we move into the 2020s it seems that our reality is changing. There are those that believe that this change is temporary. Nonetheless, our freedoms as a result of lockdown measures have been curtailed. So how can festival culture help us to re-imagine a reality of power and empowerment? Is our online life enough, and what will festival life and culture look like after lockdown measures have been ended? Have we found new and exciting ways of engaging with festivals, and, if so, what has it taught us? We also consider if or how lockdown measures have encouraged enterprise or caused damage, and/or losses, to business and entrepreneurship?
Festival Culture Research and Education aims to bring together researchers, costume and craft makers, filmmakers, photographers, musicians, organisers and stakeholders, and to invite academics from across disciplines, postdocs and postgraduates at all stages in their research, as well as practitioners seeking to provide creative demonstrations or performances.
Proposals may also address, but are not limited to, the following themes:
• Business and Entrepreneurialism
• Combined Arts (Art and Social Agency)
• Creativity, Ingenuity and Creative Industries
• Culture and the City
• Dress and the Body
• Embodiment and Materiality
• Feasts and Celebrations
• Festival Activism
• Food and Drink
• Health and Wellness
• Individuality, Community, Crowds and Togetherness
• Light and Night Festivals
• Medieval Culture
• Memory, Nostalgia and Temporality
• Music and Sound Systems
• Popular Culture in a Time of Lockdowns
• Religious Worship, Belief and Ritualistic Customs
• Resistance, Resilience and Activism
• State and Cultural Politics
• Storying the Festival
• Tourism and Hospitality
Abstract of up to 250 words (only abstracts/papers which have not been previously presented and published will be considered) biographies of no more than 100 words (Word doc. files) should be submitted by 25 April 2021 (deadline extended).
Notification of decisions: 30 April 2021.
Completed paper pre-recorded presentation deadline: 25 May 2021.
ISFC Registration Open: April 2021.
Please note: As a result of instability with internet connections, and to ensure the event runs smoothly, we have decided that paper presentations will be recorded in advance.
Selected papers (5,000 words) will be considered for publishing in our peer-reviewed journal. However, abstracts/papers previously presented and published will not be accepted. Please note abstracts are the starting point towards preparing a journal article and as such will require editing. Thus, we ask that you consider that whilst you receive positive audience participation at the symposium your paper must evolve from a presentation piece to a well researched and cited journal article. With that in mind, when revising your work think about for example, tone, clarity, originality, formatting, referencing, citations, grammar, submission guidelines, audience, scope, consistency, and quality. Submission for completed papers deadline: 21st October 2021.
The aim of this symposium is to organise and maintain a festival exchange network, focusing on cultural, community, literary and religious festivals etc. We believe that a festival exchange will be an excellent resource – a means of developing supportive partnerships and understanding the historical, creative and cultural links that may exist between different festivals. It represents an opportunity for academics to gain knowledge that could be of value to their research, and for those outside academia to become more aware of and engaged with academic research that could be a source of both inspiration and knowledge.
The views, opinions and communications shared at the ISFC 21 virtual event may not necessarily reflect the views and opinions of the organiser.